Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Ergebnisse 1-3 von 14
Seite 102
... symphonic principle of the classical style which grew out of and subsequently replaced the concerto principle was very much like that of a formal debate . The first motion ( or theme ) was proposed , then opposed by a second theme ...
... symphonic principle of the classical style which grew out of and subsequently replaced the concerto principle was very much like that of a formal debate . The first motion ( or theme ) was proposed , then opposed by a second theme ...
Seite 108
... symphonic : voices , and ultimately theatre , were a necessary extension of the theatricality of symphonic argument . Thus the vocal line and words had to be totally related to that symphonic argument ; and the means of doing this was ...
... symphonic : voices , and ultimately theatre , were a necessary extension of the theatricality of symphonic argument . Thus the vocal line and words had to be totally related to that symphonic argument ; and the means of doing this was ...
Seite 117
... symphonic argument . It represents the ultimate devolution from Western ideals , and it is embodied in the work of many younger composers today . ' Ancient Voices of Children ' ( 1970 ) by the American composer , George Crumb , is also ...
... symphonic argument . It represents the ultimate devolution from Western ideals , and it is embodied in the work of many younger composers today . ' Ancient Voices of Children ' ( 1970 ) by the American composer , George Crumb , is also ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis