Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
Ergebnisse 1-3 von 33
Seite 57
... thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music ...
... thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music ...
Seite 116
... thing : The creative person shows himself naked ; and the more vigorous his creative act , the more naked he appears : sometimes totally vulnerable , yet always invulnerable in the sense of his own integrity . I am now 69 as this is ...
... thing : The creative person shows himself naked ; and the more vigorous his creative act , the more naked he appears : sometimes totally vulnerable , yet always invulnerable in the sense of his own integrity . I am now 69 as this is ...
Seite 155
... thing less well : fashionable silence interspersed with predictable textural variations ; vocal lines with melodic implications but which are incontestably a - melodic ; perpetual reincarnations of ugly and worn - out microtonal ...
... thing less well : fashionable silence interspersed with predictable textural variations ; vocal lines with melodic implications but which are incontestably a - melodic ; perpetual reincarnations of ugly and worn - out microtonal ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis