Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
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Seite 131
... timbres it sounds in the end rather like an interesting collage of Western rhythms with the melody accidentally ... timbre anticipated Cage and his fondness for semitonal clusters anticipated Ligeti , his approach to the problem of ...
... timbres it sounds in the end rather like an interesting collage of Western rhythms with the melody accidentally ... timbre anticipated Cage and his fondness for semitonal clusters anticipated Ligeti , his approach to the problem of ...
Seite 144
... timbre and harmony . ' Et Expecto Resurrectionem Mortuorum ' ( 1964 ) for winds and percussion , based on scriptural texts , was conceived to be performed in vast spaces , from cathedrals to mountain heights : it has a sensuous ...
... timbre and harmony . ' Et Expecto Resurrectionem Mortuorum ' ( 1964 ) for winds and percussion , based on scriptural texts , was conceived to be performed in vast spaces , from cathedrals to mountain heights : it has a sensuous ...
Seite 146
... timbre . Approximate notation had divided music into a series of ' events ' with the conductor becoming a sort of umpire with a stop watch , signalling the start of each new ' event ' , except when specific rhythms were called for . The ...
... timbre . Approximate notation had divided music into a series of ' events ' with the conductor becoming a sort of umpire with a stop watch , signalling the start of each new ' event ' , except when specific rhythms were called for . The ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis