Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 Seiten |
Im Buch
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Seite 65
... tradition , and led to the tradition of ' popular ' music in America . In Puritan New England during the 17th century , unison singing of psalm tunes brought from England rapidly declined in standard . Yet the Puritans naturally ...
... tradition , and led to the tradition of ' popular ' music in America . In Puritan New England during the 17th century , unison singing of psalm tunes brought from England rapidly declined in standard . Yet the Puritans naturally ...
Seite 89
... tradition and demands some sort of formal treatment within a basically symmetrical framework . Gentle Giant and Jethro Tull , on the other hand , have absorbed the essentially reiterative and accumulative style of the Afro - American ...
... tradition and demands some sort of formal treatment within a basically symmetrical framework . Gentle Giant and Jethro Tull , on the other hand , have absorbed the essentially reiterative and accumulative style of the Afro - American ...
Seite 146
... tradition of a linear aesthetic . Xenakis aims not so much to reverse this historical tradition as to ' track down the mental operations of compositions to their sources ... in order to ... extract general principles that are valid for ...
... tradition of a linear aesthetic . Xenakis aims not so much to reverse this historical tradition as to ' track down the mental operations of compositions to their sources ... in order to ... extract general principles that are valid for ...
Inhalt
2100351 | 7 |
The Path to Elitism | 21 |
2 | 32 |
Urheberrecht | |
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Roll Over Rock: A Study of Music in Contemporary Culture Peter Fletcher Keine Leseprobe verfügbar - 1981 |
Häufige Begriffe und Wortgruppen
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis