Shakespeare Commentaries, Band 2Smith, Elder and Company, 1863 |
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... Cæsar 319 Antony and Cleopatra 353 Coriolanus 387 Timon of Athens 420 The Tempest . 433 The Winter's Tale 465 Henry VIII . 489 Shakespeare 505 His sense of beauty 506 His alleged inattention to Rules 518 His ideal of art " 548 His age ...
... Cæsar 319 Antony and Cleopatra 353 Coriolanus 387 Timon of Athens 420 The Tempest . 433 The Winter's Tale 465 Henry VIII . 489 Shakespeare 505 His sense of beauty 506 His alleged inattention to Rules 518 His ideal of art " 548 His age ...
Seite 4
... Cæsar , Brutus ' defection is represented as an act of faithlessness and ingratitude , which the spirit of the murdered friend resents and retaliates . In Henry VIII . , Wolsey's self - seeking plans , in opposition to his royal patron ...
... Cæsar , Brutus ' defection is represented as an act of faithlessness and ingratitude , which the spirit of the murdered friend resents and retaliates . In Henry VIII . , Wolsey's self - seeking plans , in opposition to his royal patron ...
Seite 6
... Cæsar was written just about 1601 or 1602 , not without reference to these conspirators and independent spirits . We have seen from the prologue to Henry V. , what a sympa- thizing delight Shakespeare manifested in Essex , and still ...
... Cæsar was written just about 1601 or 1602 , not without reference to these conspirators and independent spirits . We have seen from the prologue to Henry V. , what a sympa- thizing delight Shakespeare manifested in Essex , and still ...
Seite 10
... Cæsar , and Hamlet ( 1600-2 ) ; we shall shift Cæsar back to the other Roman plays and place by Hamlet its counterpart Macbeth ( 1605 ) , and next to this , Lear ( 1605 ) and Cymbeline ( 1609 ) , which we see in similar relation to each ...
... Cæsar , and Hamlet ( 1600-2 ) ; we shall shift Cæsar back to the other Roman plays and place by Hamlet its counterpart Macbeth ( 1605 ) , and next to this , Lear ( 1605 ) and Cymbeline ( 1609 ) , which we see in similar relation to each ...
Seite 12
... Cæsar did never wrong , but with just cause . According to the present judgment of Shakespeare , no one 12 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY . elevated passages, to sentences and concluding verses; the ...
... Cæsar did never wrong , but with just cause . According to the present judgment of Shakespeare , no one 12 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY . elevated passages, to sentences and concluding verses; the ...
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Häufige Begriffe und Wortgruppen
according action actor æsthetic ambition ancient Antony Antony and Cleopatra Apemantus appears Aristotle Bacon Banquo beauty become Brutus called Cassius character Cleopatra cloth comedy conscience contrary contrast Cordelia Coriolanus crime Cymbeline daughter death deed depicted Desdemona drama evil excited expression false fate father fault favour Fcap fear feeling fidelity friends genius Goethe Hamlet happiness heart hero heroic Homer honour human nature Iachimo Iago idea ideal imagination Imogen innocence jealousy Julius Cæsar king knows Lear Macbeth manner matter Measure for Measure mind Moor moral murder never noble Octavius once Othello passion perceive piece play Plutarch poems poet poet's poetic poetry political Polonius possesses Post 8vo Posthumus Price pride punishment racter revenge Roman says scene Schiller Shake Shakespeare shews side sorrow soul speare spirit things thought Timon tragedy tragic Troilus true truth unnatural virtue weakness whole wife Winter's Tale words
Beliebte Passagen
Seite 296 - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Seite 64 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
Seite 6 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Seite 365 - Nay, pray you, seek no colour for your going, But bid farewell, and go : when you sued staying Then was the time for words ; no going then : Eternity was in our lips and eyes, Bliss in our brows...
Seite 295 - Outliving beauty's outward, with a mind That doth renew swifter than blood decays! Or, that persuasion could but thus convince me,— That my integrity and truth to you Might be affronted with the match and weight Of such a winnow'd purity in love; How were I then uplifted! but, alas, I am as true as truth's simplicity, And simpler than the infancy of truth.
Seite 639 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.
Seite 347 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Seite 341 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Seite 328 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Seite 140 - O God ! I could be bounded in a nut-shell, and count myself a king of infinite space; were it not that I have bad dreams.