Shakespeare Commentaries, Band 2Smith, Elder and Company, 1863 |
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Seite 2
... , and secures to them protection from all damage , and all the courtesies which formerly fell to the lot of people of their place and quality . We have seen how at the close of the 16th 2 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
... , and secures to them protection from all damage , and all the courtesies which formerly fell to the lot of people of their place and quality . We have seen how at the close of the 16th 2 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
Seite 3
... close of the second period , continued in the first few years of the third , or rather increased . In the six years which elapsed between 1598 and 1603 , Shakespeare wrote on the average at least two plays a year . a year . Subsequently ...
... close of the second period , continued in the first few years of the third , or rather increased . In the six years which elapsed between 1598 and 1603 , Shakespeare wrote on the average at least two plays a year . a year . Subsequently ...
Seite 9
... close search into the gloomy side of life , and he stands himself in such clear and distinct light above this mental disorder , that this very play must be regarded as a triumph , in which he must have overcome his vein of melancholy ...
... close search into the gloomy side of life , and he stands himself in such clear and distinct light above this mental disorder , that this very play must be regarded as a triumph , in which he must have overcome his vein of melancholy ...
Seite 12
... close of the century , prose pre- dominates extraordinarily . Whether in this lighter diction , or in the most sublimely pathetic passages , or in the wise sentences , with which Hamlet and Troilus are interspersed in such rich ...
... close of the century , prose pre- dominates extraordinarily . Whether in this lighter diction , or in the most sublimely pathetic passages , or in the wise sentences , with which Hamlet and Troilus are interspersed in such rich ...
Seite 76
... close of the first act , the idea , which he subsequently carries out , floats dimly in his mind . In the mean while , other projects , such as his designs upon Desdemona , cross this first plan . In a later soliloquy ( Act II . sc . 1 ...
... close of the first act , the idea , which he subsequently carries out , floats dimly in his mind . In the mean while , other projects , such as his designs upon Desdemona , cross this first plan . In a later soliloquy ( Act II . sc . 1 ...
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Häufige Begriffe und Wortgruppen
according action actor æsthetic ambition ancient Antony Antony and Cleopatra Apemantus appears Aristotle Bacon Banquo beauty become Brutus called Cassius character Cleopatra cloth comedy conscience contrary contrast Cordelia Coriolanus crime Cymbeline daughter death deed depicted Desdemona drama evil excited expression false fate father fault favour Fcap fear feeling fidelity friends genius Goethe Hamlet happiness heart hero heroic Homer honour human nature Iachimo Iago idea ideal imagination Imogen innocence jealousy Julius Cæsar king knows Lear Macbeth manner matter Measure for Measure mind Moor moral murder never noble Octavius once Othello passion perceive piece play Plutarch poems poet poet's poetic poetry political Polonius possesses Post 8vo Posthumus Price pride punishment racter revenge Roman says scene Schiller Shake Shakespeare shews side sorrow soul speare spirit things thought Timon tragedy tragic Troilus true truth unnatural virtue weakness whole wife Winter's Tale words
Beliebte Passagen
Seite 296 - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Seite 64 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
Seite 6 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Seite 365 - Nay, pray you, seek no colour for your going, But bid farewell, and go : when you sued staying Then was the time for words ; no going then : Eternity was in our lips and eyes, Bliss in our brows...
Seite 295 - Outliving beauty's outward, with a mind That doth renew swifter than blood decays! Or, that persuasion could but thus convince me,— That my integrity and truth to you Might be affronted with the match and weight Of such a winnow'd purity in love; How were I then uplifted! but, alas, I am as true as truth's simplicity, And simpler than the infancy of truth.
Seite 639 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.
Seite 347 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Seite 341 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Seite 328 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Seite 140 - O God ! I could be bounded in a nut-shell, and count myself a king of infinite space; were it not that I have bad dreams.