Shakespeare Commentaries, Band 2Smith, Elder and Company, 1863 |
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Seite 2
... secures to them protection from all damage , and all the courtesies which formerly fell to the lot of people of their place and quality . We have seen how at the close of the 16th 2 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
... secures to them protection from all damage , and all the courtesies which formerly fell to the lot of people of their place and quality . We have seen how at the close of the 16th 2 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
Seite 3
... poet took up his abode in Stratford , he not only sought to free himself from his outward connection with the stage , but also concluded his dramatic and poetical career . Looking ... POETRY . 3 We have seen how at the close of the 16th ...
... poet took up his abode in Stratford , he not only sought to free himself from his outward connection with the stage , but also concluded his dramatic and poetical career . Looking ... POETRY . 3 We have seen how at the close of the 16th ...
Seite 4
... , princes , benefactors , and relations , to the highest pitch of vice , in the profligate alienation of children from their father , in the rebellion of kindred blood in the 4 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
... , princes , benefactors , and relations , to the highest pitch of vice , in the profligate alienation of children from their father , in the rebellion of kindred blood in the 4 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
Seite 7
... poetry may have made upon him , the crudeness of the age so repugnant to him in many of its features , the capricious and not rarely bloody arbitrariness of the government , we have motives sufficient to incite the poet to descend still ...
... poetry may have made upon him , the crudeness of the age so repugnant to him in many of its features , the capricious and not rarely bloody arbitrariness of the government , we have motives sufficient to incite the poet to descend still ...
Seite 9
... poet than we experience it ; it was his intention to exhibit harsh and violent subjects , and his tenderness of feeling in the midst of these pieces ever lies close by the side ... POETRY . 9 and agent in all matters and in every kind of ...
... poet than we experience it ; it was his intention to exhibit harsh and violent subjects , and his tenderness of feeling in the midst of these pieces ever lies close by the side ... POETRY . 9 and agent in all matters and in every kind of ...
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Häufige Begriffe und Wortgruppen
according action actor æsthetic ambition ancient Antony Antony and Cleopatra Apemantus appears Aristotle Bacon Banquo beauty become Brutus called Cassius character Cleopatra cloth comedy conscience contrary contrast Cordelia Coriolanus crime Cymbeline daughter death deed depicted Desdemona drama evil excited expression false fate father fault favour Fcap fear feeling fidelity friends genius Goethe Hamlet happiness heart hero heroic Homer honour human nature Iachimo Iago idea ideal imagination Imogen innocence jealousy Julius Cæsar king knows Lear Macbeth manner matter Measure for Measure mind Moor moral murder never noble Octavius once Othello passion perceive piece play Plutarch poems poet poet's poetic poetry political Polonius possesses Post 8vo Posthumus Price pride punishment racter revenge Roman says scene Schiller Shake Shakespeare shews side sorrow soul speare spirit things thought Timon tragedy tragic Troilus true truth unnatural virtue weakness whole wife Winter's Tale words
Beliebte Passagen
Seite 296 - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Seite 64 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
Seite 6 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Seite 365 - Nay, pray you, seek no colour for your going, But bid farewell, and go : when you sued staying Then was the time for words ; no going then : Eternity was in our lips and eyes, Bliss in our brows...
Seite 295 - Outliving beauty's outward, with a mind That doth renew swifter than blood decays! Or, that persuasion could but thus convince me,— That my integrity and truth to you Might be affronted with the match and weight Of such a winnow'd purity in love; How were I then uplifted! but, alas, I am as true as truth's simplicity, And simpler than the infancy of truth.
Seite 639 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.
Seite 347 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Seite 341 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Seite 328 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Seite 140 - O God ! I could be bounded in a nut-shell, and count myself a king of infinite space; were it not that I have bad dreams.