Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 132
... language , as it is in the language of Shakespeare's cross - dressing comic heroines , but rather is displayed in the strategies - linguistic and be- havioral - by which the other characters in the play ( all male , as it turns out ) ...
... language , as it is in the language of Shakespeare's cross - dressing comic heroines , but rather is displayed in the strategies - linguistic and be- havioral - by which the other characters in the play ( all male , as it turns out ) ...
Seite 326
... language . Macbeth's peculiar compulsion to exteriorize the horrors that grow inside him , making his worst thoughts into ac- tualities , must also be considered in this context of words functioning as deeds . A thought need not be ...
... language . Macbeth's peculiar compulsion to exteriorize the horrors that grow inside him , making his worst thoughts into ac- tualities , must also be considered in this context of words functioning as deeds . A thought need not be ...
Seite 417
... language of his dis- course is Shakespeare's method of rendering probable and natural a condition of psychological extremity . Locked within a character , Leontes is also imprisoned within a language : he can neither understand what ...
... language of his dis- course is Shakespeare's method of rendering probable and natural a condition of psychological extremity . Locked within a character , Leontes is also imprisoned within a language : he can neither understand what ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words