Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 152
... opening soliloquy . Although the wooing of Anne intro- duces a new sequence , it is finally a longer , more drawn out part of a pattern of confrontation between Richard and his victims , Anne following Clarence and Hastings in 1,1 ...
... opening soliloquy . Although the wooing of Anne intro- duces a new sequence , it is finally a longer , more drawn out part of a pattern of confrontation between Richard and his victims , Anne following Clarence and Hastings in 1,1 ...
Seite 164
... opening speech is given not to John but to Elinor , who thus has control of the lan- guage of official political discourse : Barons of England , and my noble Lords ; Though God and Fortune have bereft from us Victorious Richard scourge ...
... opening speech is given not to John but to Elinor , who thus has control of the lan- guage of official political discourse : Barons of England , and my noble Lords ; Though God and Fortune have bereft from us Victorious Richard scourge ...
Seite 302
... opening of the play in favor of what critics call , with mind - numbing frequency , the fairy - tale beginning , the encounter between Lear and his daughters . King Lear in fact opens with a peculiar and significant kind of divi- sion ...
... opening of the play in favor of what critics call , with mind - numbing frequency , the fairy - tale beginning , the encounter between Lear and his daughters . King Lear in fact opens with a peculiar and significant kind of divi- sion ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words