Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 60
... play's poetry which takes dramatic shape in the masque , by means of which the immanent is mani- fested . However , it is to be noted , as Malcolm Evans has , 16 that this scene contains some unstable conditionals : ' If there be truth ...
... play's poetry which takes dramatic shape in the masque , by means of which the immanent is mani- fested . However , it is to be noted , as Malcolm Evans has , 16 that this scene contains some unstable conditionals : ' If there be truth ...
Seite 154
... play , an historical character , he may be above all else the play's Vice figure , that figure of Iniquity whose chief appeal lay in his linguistic virtuosity . And while this speech is delivered from a locus that is si- multaneously a ...
... play , an historical character , he may be above all else the play's Vice figure , that figure of Iniquity whose chief appeal lay in his linguistic virtuosity . And while this speech is delivered from a locus that is si- multaneously a ...
Seite 349
... play's end Enobarbus's narrative description is dramatized and pictured for us . Cleopatra's " resolution ' s plac'd " and she is " marble - constant " ( 238 , 240 ) . She assumes her splendor and power when she dress- es in her robe ...
... play's end Enobarbus's narrative description is dramatized and pictured for us . Cleopatra's " resolution ' s plac'd " and she is " marble - constant " ( 238 , 240 ) . She assumes her splendor and power when she dress- es in her robe ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words