The Aldus Shakespeare: With Copious Notes and Comments, Band 4Bigelow Smith, 1909 |
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Seite xi
... speak of it as " one of the dullest and dreariest of all the ob- Shakespeare himself took the part of Old Adam . The former nar- rates that a younger brother of the poet recalled in his old age that he had once seen him act a part in ...
... speak of it as " one of the dullest and dreariest of all the ob- Shakespeare himself took the part of Old Adam . The former nar- rates that a younger brother of the poet recalled in his old age that he had once seen him act a part in ...
Seite xiv
... son's Cynthia's Revels : - " I'll only speak what I have heard him say , ' By — ' tis good , and if you like ' t you may . ” But Shakespeare's play must have preceded Jonson's dra- matic satire Xiv Preface AS YOU LIKE IT.
... son's Cynthia's Revels : - " I'll only speak what I have heard him say , ' By — ' tis good , and if you like ' t you may . ” But Shakespeare's play must have preceded Jonson's dra- matic satire Xiv Preface AS YOU LIKE IT.
Seite xxvii
... speaking , the drama has no hero ; for , though Orlando occupies the foreground , the characters are strictly coördinate , the very design of the work precluding any subordination among them . Diverted by fortune from all their ...
... speaking , the drama has no hero ; for , though Orlando occupies the foreground , the characters are strictly coördinate , the very design of the work precluding any subordination among them . Diverted by fortune from all their ...
Seite xxviii
... thing he says ; of course his habit is to speak all for effect , nothing for truth : instead of yielding or being passive to the natural force and vir- tue of things , his vocation is to wrest and xxviii Introduction AS YOU LIKE IT.
... thing he says ; of course his habit is to speak all for effect , nothing for truth : instead of yielding or being passive to the natural force and vir- tue of things , his vocation is to wrest and xxviii Introduction AS YOU LIKE IT.
Seite xlvi
... speak uniformly in verse instead of prose , and this in itself gives a distinctively idealistic flavor to their sentiments . Silvius ' recital in strophic form to Corin of the signs of true love , ending with the triple invocation of ...
... speak uniformly in verse instead of prose , and this in itself gives a distinctively idealistic flavor to their sentiments . Silvius ' recital in strophic form to Corin of the signs of true love , ending with the triple invocation of ...
Häufige Begriffe und Wortgruppen
Adam Adam Spencer Aliena Alinda Audrey banished bear beard Beau better brother character comedies Corin court cousin daughter doth Duke F Duke Frederick Duke's Enter Orlando Enter Rosalind Exeunt exiled eyes fair faith father Folios fool Forest of Arden fortune foul French Flanders friends Gamelyn Ganymede gentle Gerismond give graces hath heart Hero and Leander hither honor ISRAEL GOLLANCZ Jaques ladies live look Lord lover marry matter melancholy merry mistress Montanus moral motley fool nature never Oliver passion peers of France Phebe pity play Poet pray prithee Robin Hood Rosader Rosalind and Celia Saladyne scene Shakespeare shepherd Silvius song speak sweet Tale of Gamelyn tell thee thing thou art THRASONICAL Torismond Touch Touchstone tree usurper verses wherein withal woman words wrestler wrestling young youth
Beliebte Passagen
Seite 35 - NOW, my co-mates, and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court ? Here feel we but the penalty of Adam, The seasons...
Seite xxxviii - Say a day, without the ever : No, no, Orlando ; men are April when they woo, December when they wed : maids are May when they are maids, but the sky changes when they are wives.
Seite 57 - I thought that all things had been savage here, And therefore put I on the countenance Of stern commandment. But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time...
Seite 36 - That feelingly persuade me what I am. Sweet are the uses of adversity ; Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head : And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in every thing : I would not change it.
Seite 37 - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
Seite 42 - Though I look old, yet I am strong and lusty ; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo 50 The means of weakness and debility ; Therefore my age is as a lusty winter, Frosty, but kindly : let me go with you ; I'll do the service of a younger man In all your business and necessities.
Seite 44 - Ay, now am I in Arden ; the more fool I ; when I was at home, I was in a better place : but travellers must be content.
Seite 60 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Seite 64 - I like it very well ; but in respect 15 that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well ; but in respect it is not in the court, it is tedious.
Seite 61 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude.