Quest, Ausgaben 86-92S. Singh, etc. for the Indian Committee for Cultural Freedom, 1974 |
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Seite 41
... mind which we project onto the art object . In other words , if an artiste can tune his mind with that of his listeners so that there is complete absorption in his work , his music becomes spiritual . In emotive terms , it is the state of ...
... mind which we project onto the art object . In other words , if an artiste can tune his mind with that of his listeners so that there is complete absorption in his work , his music becomes spiritual . In emotive terms , it is the state of ...
Seite 18
... mind . At least in some of them , the conflict does not have any direct connection with contemporary social problems . Even if it has a social -background , society does not take an active part in the course of events which take place ...
... mind . At least in some of them , the conflict does not have any direct connection with contemporary social problems . Even if it has a social -background , society does not take an active part in the course of events which take place ...
Seite 64
... mind Skinner would reply that remembering is a product of a physiological change . We will examine this argument a little later . Let us first examine how he translates the many states of mind into reinforcing contingencies . About ...
... mind Skinner would reply that remembering is a product of a physiological change . We will examine this argument a little later . Let us first examine how he translates the many states of mind into reinforcing contingencies . About ...
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