Observations on our principal dramatic authors. The school for husbands, a comedy. The renown, a tragedy. The school for friends, a Comedy. Ninus, a tragedyJ. M'Creery, Fleet-street, 1809 |
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Seite ii
... passion rather than character , nor has the style adapted to it suf- fered much variation through a succession of ages . We might perhaps with much care and attention divide our tragedies into the sentimental or the pathetic , those ...
... passion rather than character , nor has the style adapted to it suf- fered much variation through a succession of ages . We might perhaps with much care and attention divide our tragedies into the sentimental or the pathetic , those ...
Seite xxiv
... passion , smart without wit , and laborious without effect . The same persons are sometimes on the contrary ridiculously learned . A fault of this latter description may also be found in the powerful play of " the New Way to Pay Old ...
... passion , smart without wit , and laborious without effect . The same persons are sometimes on the contrary ridiculously learned . A fault of this latter description may also be found in the powerful play of " the New Way to Pay Old ...
Seite xxxviii
... passion as of wit , Moliere was at once delighting and refining our more polished neighbours , by compo- sitions in which genuine wit neither re- quires nor seeks the aid of the grosser feel- ings , in which a pure and elegant dialogue ...
... passion as of wit , Moliere was at once delighting and refining our more polished neighbours , by compo- sitions in which genuine wit neither re- quires nor seeks the aid of the grosser feel- ings , in which a pure and elegant dialogue ...
Seite xli
... passion : his personages are a kind of intellectual gladiators ; every sentence is to ward or strike ; the contest of smartness is never intermitted ; his wit is a meteor playing to and fro with alter- nate corruscations . His comedies ...
... passion : his personages are a kind of intellectual gladiators ; every sentence is to ward or strike ; the contest of smartness is never intermitted ; his wit is a meteor playing to and fro with alter- nate corruscations . His comedies ...
Seite xlvi
... music can , and any extraordi- nary burst of passion is naturally exhibited in the more elevated exertion of the voice , which , on this supposition , must still be musical . On the other hand the English opera is . xlvi.
... music can , and any extraordi- nary burst of passion is naturally exhibited in the more elevated exertion of the voice , which , on this supposition , must still be musical . On the other hand the English opera is . xlvi.
Häufige Begriffe und Wortgruppen
affection Arax Assur Azema Babylon Beaumont and Fletcher beauty Belford Ben Jonson Betty bless character Clytemnestra comedy Crebillon crime croud daughter Dazzle dear death DESMOND dialogue dread E'en Electra Emily Enter Euripides Everard Exeunt Exit eyes fame fancy father fault fear feelings Ferd Flush follow forgive Gius give happy hate hear heard heart heaven honor honor'd hope is-I Julia King Lady Lovell Laura leave LORD DORMER Louisa lov'd Lovec Lovechild Lucy madam March marriage Mellef Mellefont Melville Meres mighty Mitranes mother nature never Ninus noble o'er O'Neale Orestes Oroes pardon passion play poor pray Queen sacred SCENE Semiramis Sennacherib Sethar Shakespeare shew smile Soph soul speak sure tear tell thee thou thought thro throne tion tragedy twas virtue Voltaire wish woman wound wretch youth
Beliebte Passagen
Seite v - ... he therefore indulged his natural disposition, and his disposition, as Rymer has remarked, led him to comedy. In tragedy he often writes with great appearance of toil and study, what is written at last with little felicity; but in his comick scenes, he seems to produce without labour, what no labour can improve.
Seite viii - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Seite xl - CONGREVE has merit of the highest kind ; he is an original writer, who borrowed neither the models of his plot, nor the manner of his dialogue.
Seite liii - ... and bid him (like Cymon in the fable) grow polite, by falling in love, and let that worthy old gentleman alone, meaning me. The clown was not reformed, but rudely persisted, and offered to force off my mask ; with that the gentleman, throwing off...
Seite v - In his tragic scenes there is always something wanting, but his comedy often surpasses expectation or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be skill, his comedy to be instinct.
Seite lix - If by a more noble and more adequate conception that be considered as wit which is at once natural and new, that which, though not obvious, is, upon its first production, acknowledged to be just...
Seite xxxii - I hope, since I have but one girl in the world, you won't think me a troublesome old fool, if I endeavour to bestow her to her worth; therefore, if...
Seite xxii - Their plots were generally more regular than Shakespeare's, especially those which were made before Beaumont's death; and they understood and imitated the conversation of gentlemen much better; whose wild debaucheries, and quickness of wit in repartees, no poet can ever paint as they have done.
Seite xlii - Those characters which are meant to be ridiculed in most of our comedies are of fools so gross, that in my humble opinion they should rather disturb than divert the wellnatured and reflecting part of an audience; they are rather objects of charity than contempt, and instead of moving our mirth, they ought very often to excite our compassion.
Seite xxxix - Dryden has long extended his command, By right divine, quite through the Muses' land Absolute lord ; and holding now from none, But great Apollo, his undoubted crown ; (That empire settled, and grown old in...