Discourse, Band 32,Ausgabe 32010 |
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Seite 304
... film's recurring special effect representation of the fictional Superconducting Quantum Inter- ference Device ( SQUID ) .1 This background , of course , turns out to be foregrounded , and the film's personal narratives become wider ...
... film's recurring special effect representation of the fictional Superconducting Quantum Inter- ference Device ( SQUID ) .1 This background , of course , turns out to be foregrounded , and the film's personal narratives become wider ...
Seite 306
... film for personal satisfaction , thus moves through a circuit of violence until it reemerges as evi- dence against the ... film's narrative signals the particular manner in which surveillance and representation have functioned in tandem ...
... film for personal satisfaction , thus moves through a circuit of violence until it reemerges as evi- dence against the ... film's narrative signals the particular manner in which surveillance and representation have functioned in tandem ...
Seite 308
... film's climactic scene replays the narratively drawn - out video / televisual events of the beating / trial / uprising into a single “ clip ” : a single continuous experience for both Mace and the film's viewer . Even as the film seems ...
... film's climactic scene replays the narratively drawn - out video / televisual events of the beating / trial / uprising into a single “ clip ” : a single continuous experience for both Mace and the film's viewer . Even as the film seems ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman