Discourse, Band 32,Ausgabe 32010 |
Im Buch
Ergebnisse 1-3 von 16
Seite 281
... understand its experience . So if cinema is , in general , an ontology , the computer is , in general , an ethic . The computer instantiates a practice , not a pres- ence . Perhaps a useful way to understand the distinction is to draw a ...
... understand its experience . So if cinema is , in general , an ontology , the computer is , in general , an ethic . The computer instantiates a practice , not a pres- ence . Perhaps a useful way to understand the distinction is to draw a ...
Seite 308
... understand the film's relation to the tech- nologies it highlights , and how this circular logic is quite symptom- atically organized around both the body and character of Mace . Having repeatedly chastised Lenny for his involvement ...
... understand the film's relation to the tech- nologies it highlights , and how this circular logic is quite symptom- atically organized around both the body and character of Mace . Having repeatedly chastised Lenny for his involvement ...
Seite 317
To understand how Deleuze formulates this as a politics ( one that he will - importantly - go on to read as a " becoming which merges with a people " ) , 22 we can turn back to the progression of representational politics in Strange ...
To understand how Deleuze formulates this as a politics ( one that he will - importantly - go on to read as a " becoming which merges with a people " ) , 22 we can turn back to the progression of representational politics in Strange ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman