The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xvi
... Alonso and his followers—some of them distracted, others in deep grief—are bespelled in the grove of lime trees, Ariel's feelings, he tells Prospero, would “become tender” toward them if he were human; and Prospero replies: And mine ...
... Alonso and his followers—some of them distracted, others in deep grief—are bespelled in the grove of lime trees, Ariel's feelings, he tells Prospero, would “become tender” toward them if he were human; and Prospero replies: And mine ...
Seite xix
... Alonso's daughter Claribel has married the king, and they are mentioned in the Bermuda pamphlets as well, since both Dido and Aeneas founded new colonies. Aeneas first lands in North Africa after he is blown off course by a fearsome ...
... Alonso's daughter Claribel has married the king, and they are mentioned in the Bermuda pamphlets as well, since both Dido and Aeneas founded new colonies. Aeneas first lands in North Africa after he is blown off course by a fearsome ...
Seite xx
... Alonso—from a condition of sinfulness to a higher level of morality, the play's episodes mirror the alchemical process” (63–64).” 6. One of Shakespeare's earliest plays, The Comedy of Errors, also keeps the unity of time. The Tempest ...
... Alonso—from a condition of sinfulness to a higher level of morality, the play's episodes mirror the alchemical process” (63–64).” 6. One of Shakespeare's earliest plays, The Comedy of Errors, also keeps the unity of time. The Tempest ...
Seite xxviii
... Alonso), and who through a magical feat of ventriloquism delivers Ariel's speeches in a falsetto. Imagine Prospero doubling as Antonio and Sebastian. The actor playing Sebastian and Antonio, always appearing in the same scenes, demarks ...
... Alonso), and who through a magical feat of ventriloquism delivers Ariel's speeches in a falsetto. Imagine Prospero doubling as Antonio and Sebastian. The actor playing Sebastian and Antonio, always appearing in the same scenes, demarks ...
Seite xxxii
... our adjustments and additions to the textual commentary are indicated by brackets. The entire commentary on staging strategies is our own. The Tempest Names of the Characters Alonso, king of Naples. xxxii The Tempest.
... our adjustments and additions to the textual commentary are indicated by brackets. The entire commentary on staging strategies is our own. The Tempest Names of the Characters Alonso, king of Naples. xxxii The Tempest.
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true