The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiii
... Antonio Pigafetta in his account of Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in Richard Eden's well-known volume The History of Travel in the ...
... Antonio Pigafetta in his account of Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in Richard Eden's well-known volume The History of Travel in the ...
Seite xvii
... Tempest, where Shakespeare has clearly toned down some of the more exaggerated elements of the genre, the villains Antonio and Sebastian are a threat prevented from doing harm only through the power of xvii Introduction to the Focus ...
... Tempest, where Shakespeare has clearly toned down some of the more exaggerated elements of the genre, the villains Antonio and Sebastian are a threat prevented from doing harm only through the power of xvii Introduction to the Focus ...
Seite xix
... Antonio. But the storm also represents the state of Prospero's mind after twelve years of exile and his determination to impress his ordeal upon the men on the ship, several of them directly responsible for these lost years. The motive ...
... Antonio. But the storm also represents the state of Prospero's mind after twelve years of exile and his determination to impress his ordeal upon the men on the ship, several of them directly responsible for these lost years. The motive ...
Seite xx
... Antonio, Sebastian and Alonso—from a condition of sinfulness to a higher level of morality, the play's episodes mirror the alchemical process” (63–64).” 6. One of Shakespeare's earliest plays, The Comedy of Errors, also keeps the unity ...
... Antonio, Sebastian and Alonso—from a condition of sinfulness to a higher level of morality, the play's episodes mirror the alchemical process” (63–64).” 6. One of Shakespeare's earliest plays, The Comedy of Errors, also keeps the unity ...
Seite xxiii
... Antonio. The play is not just Prospero's—we watch an entire group of people forced, admittedly through Prospero's magic, to confront their past behavior and its consequences. At the same time, we watch comic characters, in their quest ...
... Antonio. The play is not just Prospero's—we watch an entire group of people forced, admittedly through Prospero's magic, to confront their past behavior and its consequences. At the same time, we watch comic characters, in their quest ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true