The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... Kittredge's language has been changed and details have been expanded to make them more accessible to twenty-first-century readers. 2. The Bermuda publications speak of the role of Providence xi Introduction to the Kittredge Edition.
... Kittredge's language has been changed and details have been expanded to make them more accessible to twenty-first-century readers. 2. The Bermuda publications speak of the role of Providence xi Introduction to the Kittredge Edition.
Seite xii
... Bermudas on July 28, but without loss of life. Gates, Somers, and the rest—some hundred and fifty in all—remained in the ... Bermuda reached the mother country. In 1610, soon after their arrival, three narratives of these adventures were ...
... Bermudas on July 28, but without loss of life. Gates, Somers, and the rest—some hundred and fifty in all—remained in the ... Bermuda reached the mother country. In 1610, soon after their arrival, three narratives of these adventures were ...
Seite xiii
... Bermuda . . . They lay their course for the shore, run the ship aground, and make a safe landing—a hundred and fifty of them—in their boats. The situation in The Tempest is utterly different. There is, in fact, no wreck at all. The ...
... Bermuda . . . They lay their course for the shore, run the ship aground, and make a safe landing—a hundred and fifty of them—in their boats. The situation in The Tempest is utterly different. There is, in fact, no wreck at all. The ...
Seite xiv
... Bermuda would be manifest, if proof were necessary, from I.2.228, 229. We are to imagine it as somewhere in the Mediterranean, not so very far off the route from Tunis to Naples; as well-known to the Algerians, but not to the Milanese ...
... Bermuda would be manifest, if proof were necessary, from I.2.228, 229. We are to imagine it as somewhere in the Mediterranean, not so very far off the route from Tunis to Naples; as well-known to the Algerians, but not to the Milanese ...
Seite xviii
... Bermuda narratives Shakespeare used as inspiration for his island world. Even more important than such verbal allusions to Christian belief is the basic insight of all the Romances: through surrender of ego and death to selfishness, we ...
... Bermuda narratives Shakespeare used as inspiration for his island world. Even more important than such verbal allusions to Christian belief is the basic insight of all the Romances: through surrender of ego and death to selfishness, we ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true