The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xv
... Duke Prospero was no mere figure of impossible romance, tricked out with sorcerer's robe and book of spells to tickle their fancy for the marvelous. He belonged not only to a conceivable category among men, but also to an established ...
... Duke Prospero was no mere figure of impossible romance, tricked out with sorcerer's robe and book of spells to tickle their fancy for the marvelous. He belonged not only to a conceivable category among men, but also to an established ...
Seite xxi
... Duke) and in Antony and Cleopatra (with its conflicted Antony). The significance of the mature counselor in the proper conduct of government figures in a somewhat comic way in Hamlet's Polonius as in Gonzalo here, but Shakespeare also ...
... Duke) and in Antony and Cleopatra (with its conflicted Antony). The significance of the mature counselor in the proper conduct of government figures in a somewhat comic way in Hamlet's Polonius as in Gonzalo here, but Shakespeare also ...
Seite xxiv
... Duke his father had “bequeathed him” to Prospero's care, and the false Antonio had “exposed him to that fate he meant for” Prospero. The infant Hippolito's horoscope foretold his death if he should catch sight of a woman before the ...
... Duke his father had “bequeathed him” to Prospero's care, and the false Antonio had “exposed him to that fate he meant for” Prospero. The infant Hippolito's horoscope foretold his death if he should catch sight of a woman before the ...
Seite xxviii
... Duke of Milan, who has recreated Milan's La Scala opera house on the island as a magical box for his magic. The. Avant-Garde. Tempest. Imagine Ariel represented as a slip of bright orange silk fastened to a three-foot stick carried around ...
... Duke of Milan, who has recreated Milan's La Scala opera house on the island as a magical box for his magic. The. Avant-Garde. Tempest. Imagine Ariel represented as a slip of bright orange silk fastened to a three-foot stick carried around ...
Seite 1
... duke of Milan. Antonio, his brother, the usurping duke of Milan. Ferdinand, son to the king of Naples. Gonzalo, an honest old councilor. Adrian and Francisco, lords. Caliban, a savage and deformed slave. Trinculo, a jester. Stephano, a ...
... duke of Milan. Antonio, his brother, the usurping duke of Milan. Ferdinand, son to the king of Naples. Gonzalo, an honest old councilor. Adrian and Francisco, lords. Caliban, a savage and deformed slave. Trinculo, a jester. Stephano, a ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true