The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiii
... Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in Richard Eden's well-known volume The History of Travel in the West and East Indies (1577). Caliban is ...
... Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in Richard Eden's well-known volume The History of Travel in the West and East Indies (1577). Caliban is ...
Seite xv
... Ferdinand and Miranda. 5. Jourdan, A Discovery of the Barmudas, 1610 (Aungervile Society reprint, p. 7); Strachey, in Purchas, IV, 1737; A True Declaration of the Estate of the Colonie in Virginia, 1610, p. 23. 1. Despite his explicit ...
... Ferdinand and Miranda. 5. Jourdan, A Discovery of the Barmudas, 1610 (Aungervile Society reprint, p. 7); Strachey, in Purchas, IV, 1737; A True Declaration of the Estate of the Colonie in Virginia, 1610, p. 23. 1. Despite his explicit ...
Seite xviii
... Ferdinand refers to “immortal providence” (V.1.189), echoing language found in the Bermuda narratives Shakespeare used as inspiration for his island world. Even more important than such verbal allusions to Christian belief is the basic ...
... Ferdinand refers to “immortal providence” (V.1.189), echoing language found in the Bermuda narratives Shakespeare used as inspiration for his island world. Even more important than such verbal allusions to Christian belief is the basic ...
Seite xix
... Ferdinand and Miranda that offsets in its joy the sorrows of the past. The play is framed by the fearful tempest at the start and the magician's pledge of “calm seas, auspicious gales” at the end (V.1.314). Indeed, the travelers will ...
... Ferdinand and Miranda that offsets in its joy the sorrows of the past. The play is framed by the fearful tempest at the start and the magician's pledge of “calm seas, auspicious gales” at the end (V.1.314). Indeed, the travelers will ...
Seite xx
... Ferdinand create; the world of the wedding masque; and the world of magic itself. Some have noted that Prospero's name suggests that he seeks to create a prosperous world on the island. The contrast between Gonzalo's fantasy of a ...
... Ferdinand create; the world of the wedding masque; and the world of magic itself. Some have noted that Prospero's name suggests that he seeks to create a prosperous world on the island. The contrast between Gonzalo's fantasy of a ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true