The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... I'll break my staff” and “I'll drown my book” (V.1.54–57), though it sounds like a presentiment, can hardly be interpreted as a farewell to the stage. The Folio doubtless represents the play as it was acted. 1. Focus Editors' Note ...
... I'll break my staff” and “I'll drown my book” (V.1.54–57), though it sounds like a presentiment, can hardly be interpreted as a farewell to the stage. The Folio doubtless represents the play as it was acted. 1. Focus Editors' Note ...
Seite xv
... Society reprint, p. 7); Strachey, in Purchas, IV, 1737; A True Declaration of the Estate of the Colonie in Virginia, 1610, p. 23. 1. Despite his explicit farewell to magic (“I'll drown my xv Introduction to the Kittredge Edition.
... Society reprint, p. 7); Strachey, in Purchas, IV, 1737; A True Declaration of the Estate of the Colonie in Virginia, 1610, p. 23. 1. Despite his explicit farewell to magic (“I'll drown my xv Introduction to the Kittredge Edition.
Seite xix
... I'll drown my book,” V.1.57) and his promise to free Ariel, Prospero is still using magic—and Ariel—at the close. How else guarantee such an “expeditious” (Prospero's word) return to Italy? Shakespeare uses the word tempest forty-eight ...
... I'll drown my book,” V.1.57) and his promise to free Ariel, Prospero is still using magic—and Ariel—at the close. How else guarantee such an “expeditious” (Prospero's word) return to Italy? Shakespeare uses the word tempest forty-eight ...
Seite xxii
... I'll be wise hereafter, / And seek for grace” (V.1.294–295). While it is clear that Shakespeare intends his audience to reflect on the potentially negative as well as positive consequences of such settlements as Jamestown in Virginia ...
... I'll be wise hereafter, / And seek for grace” (V.1.294–295). While it is clear that Shakespeare intends his audience to reflect on the potentially negative as well as positive consequences of such settlements as Jamestown in Virginia ...
Seite xxiii
... I'll break, their senses I'll restore, / And they shall be themselves” (V.1.30–32). 11. mar our labor: by getting in the way and xxiii Introduction to the Focus Edition.
... I'll break, their senses I'll restore, / And they shall be themselves” (V.1.30–32). 11. mar our labor: by getting in the way and xxiii Introduction to the Focus Edition.
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true