The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiv
... Italy (1549). Arthur Golding's 1567 translation of a speech by the witch Medea in Ovid's Metamorphoses (Book VII ... Italian coast. But it is not to be identified with anything on the map— whether Lampedusa or Pantelleria—or with the ...
... Italy (1549). Arthur Golding's 1567 translation of a speech by the witch Medea in Ovid's Metamorphoses (Book VII ... Italian coast. But it is not to be identified with anything on the map— whether Lampedusa or Pantelleria—or with the ...
Seite xix
... Italy.1 The opening tempest also represents the past; after all, time (in Latin, tempus) is itself an important element in the play, both in terms of the history behind the action and Prospero's constant references to the clock as he ...
... Italy.1 The opening tempest also represents the past; after all, time (in Latin, tempus) is itself an important element in the play, both in terms of the history behind the action and Prospero's constant references to the clock as he ...
Seite xx
... Italy. But we can also reflect profitably on the similarities and differences among the several other worlds Shakespeare presents: the world of the sailing vessel in the first scene; the spirit world of Ariel; the half-human world of ...
... Italy. But we can also reflect profitably on the similarities and differences among the several other worlds Shakespeare presents: the world of the sailing vessel in the first scene; the spirit world of Ariel; the half-human world of ...
Seite xxvii
... Italian language version, Yukio Ninagawa's 1987 Japanese language adaptation, and Peter Brook's 1991 French language production. The video version of Strehler's production (YouTube: “La Tempêsta,” Video RAI) draws attention to the ...
... Italian language version, Yukio Ninagawa's 1987 Japanese language adaptation, and Peter Brook's 1991 French language production. The video version of Strehler's production (YouTube: “La Tempêsta,” Video RAI) draws attention to the ...
Seite xxix
... Italian Motus Theatre Company (in Rome and New York) was a politically and ecologically charged combination of Shakespeare's The Tempest and Aimé Césaire's Une Tempête. The play is set in Africa and the protagonist is Caliban. Answering ...
... Italian Motus Theatre Company (in Rome and New York) was a politically and ecologically charged combination of Shakespeare's The Tempest and Aimé Césaire's Une Tempête. The play is set in Africa and the protagonist is Caliban. Answering ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true