The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... king's daughter Elizabeth on December 27, and married her on February 14, 1613. There is evidence, however, that The Tempest had already been presented before the king on All Saints' Day (November 1), 1611. This fixes one limit for the ...
... king's daughter Elizabeth on December 27, and married her on February 14, 1613. There is evidence, however, that The Tempest had already been presented before the king on All Saints' Day (November 1), 1611. This fixes one limit for the ...
Seite xv
... King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific colleague. To Shakespeare and his audience, then, the banished Duke Prospero was no mere figure of impossible romance, tricked out ...
... King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific colleague. To Shakespeare and his audience, then, the banished Duke Prospero was no mere figure of impossible romance, tricked out ...
Seite xvi
... King Alonso and his followers—some of them distracted, others in deep grief—are bespelled in the grove of lime trees, Ariel's feelings, he tells Prospero, would “become tender” toward them if he were human; and Prospero replies: And ...
... King Alonso and his followers—some of them distracted, others in deep grief—are bespelled in the grove of lime trees, Ariel's feelings, he tells Prospero, would “become tender” toward them if he were human; and Prospero replies: And ...
Seite xviii
... king, but he is not the central character (just as Henry IV is the title character in Henry IV, Part II, although his role in the action is minor). For the last two plays, Shakespeare uses titles that suggest a focus as much on theme as ...
... king, but he is not the central character (just as Henry IV is the title character in Henry IV, Part II, although his role in the action is minor). For the last two plays, Shakespeare uses titles that suggest a focus as much on theme as ...
Seite xix
... King Lear also employs the word three times, at least once in a figurative sense, and both literal and figurative uses of the term appear in a number of other plays, Henry V, for example, comparing his attack on a French town to a ...
... King Lear also employs the word three times, at least once in a figurative sense, and both literal and figurative uses of the term appear in a number of other plays, Henry V, for example, comparing his attack on a French town to a ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true