The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xxiii
... Trinculo's “Misery acquaints a man with strange bedfellows”; Prospero's “Our revels now are ended” and “We are such stuff / As dreams are made on”; and Miranda's “O brave new world!” Spectators marvel at the play's spectacles: the ...
... Trinculo's “Misery acquaints a man with strange bedfellows”; Prospero's “Our revels now are ended” and “We are such stuff / As dreams are made on”; and Miranda's “O brave new world!” Spectators marvel at the play's spectacles: the ...
Seite xxvi
... Trinculo and Stephano, are made to echo the complaints indigenous peoples have against their occupying oppressors. That the first dramatic allusion to The Tempest, John Fletcher's Sea Voyage (1622), carries colonialist overtones ...
... Trinculo and Stephano, are made to echo the complaints indigenous peoples have against their occupying oppressors. That the first dramatic allusion to The Tempest, John Fletcher's Sea Voyage (1622), carries colonialist overtones ...
Seite xxviii
... Trinculo, the Japanese Gonzalo, and the Indian Miranda, Peter Brook remarks, “For an actor brought up in ritual and ceremony in a culture that leads to the invisible world, playing witches, fairies, and goblins is natural.” Brook's meta ...
... Trinculo, the Japanese Gonzalo, and the Indian Miranda, Peter Brook remarks, “For an actor brought up in ritual and ceremony in a culture that leads to the invisible world, playing witches, fairies, and goblins is natural.” Brook's meta ...
Seite 1
... Trinculo, a jester. Stephano, a drunken butler. Master (Captain) of a ship, Boatswain, Mariners. Miranda, daughter to Prospero. Ariel, an airy spirit. Iris, Ceres, Juno, [presented by] spirits. Nymphs, Reapers, [Other Spirits attending ...
... Trinculo, a jester. Stephano, a drunken butler. Master (Captain) of a ship, Boatswain, Mariners. Miranda, daughter to Prospero. Ariel, an airy spirit. Iris, Ceres, Juno, [presented by] spirits. Nymphs, Reapers, [Other Spirits attending ...
Seite 12
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
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