The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xvi
... become tender” toward them if he were human; and Prospero replies: And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as ...
... become tender” toward them if he were human; and Prospero replies: And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as ...
Seite xxii
... become a place that Europeans could exploit and control. Colonialism was only in its earliest stages of development in the early seventeenth century, at least in England.8 Prospero's treatment of the one island native, Caliban (is the ...
... become a place that Europeans could exploit and control. Colonialism was only in its earliest stages of development in the early seventeenth century, at least in England.8 Prospero's treatment of the one island native, Caliban (is the ...
Seite xxvii
... become sea waves. An industrial steel curtain is raised, revealing a video-within-a-video of a threemasted ship buffeted by a storm projected onto an upstage screen. The main video then cuts to back stage, where stage hands are shown ...
... become sea waves. An industrial steel curtain is raised, revealing a video-within-a-video of a threemasted ship buffeted by a storm projected onto an upstage screen. The main video then cuts to back stage, where stage hands are shown ...
Seite xxviii
... becomes the theatrical illusion. That is, to represent the ship in the opening storm scene, a toy ship is tied to an actor's head, and, in full view of the audience, musicians play their instruments and shout from the side of the stage ...
... becomes the theatrical illusion. That is, to represent the ship in the opening storm scene, a toy ship is tied to an actor's head, and, in full view of the audience, musicians play their instruments and shout from the side of the stage ...
Seite xxxii
... becomes a character. Indeed, the characters seem to be incorporated into the setting. The androgynous Ariel exits blending into the “digital” background, while an African Caliban, covered with hardened scales and mud, seems bound to the ...
... becomes a character. Indeed, the characters seem to be incorporated into the setting. The androgynous Ariel exits blending into the “digital” background, while an African Caliban, covered with hardened scales and mud, seems bound to the ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true