The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xii
... common there as our tamest Bacon is here: Venison, as Mutton.” The first charter, “for two several colonies,” was granted on April 10, 1606, and on December 20 three ships sailed from London under the command of Captain Christopher ...
... common there as our tamest Bacon is here: Venison, as Mutton.” The first charter, “for two several colonies,” was granted on April 10, 1606, and on December 20 three ships sailed from London under the command of Captain Christopher ...
Seite xiv
... common to them”]. Prospero and some of the other names he could have found in Thomas' History of Italy (1549). Arthur Golding's 1567 translation of a speech by the witch Medea in Ovid's Metamorphoses (Book VII, lines 197–209) may have ...
... common to them”]. Prospero and some of the other names he could have found in Thomas' History of Italy (1549). Arthur Golding's 1567 translation of a speech by the witch Medea in Ovid's Metamorphoses (Book VII, lines 197–209) may have ...
Seite xvii
... common. The characters tend to be either heroes or villains; the heroes are usually separated from loved ones and devote a good deal of time to travel in search of those who seem to be lost. The villains constantly plot the destruction ...
... common. The characters tend to be either heroes or villains; the heroes are usually separated from loved ones and devote a good deal of time to travel in search of those who seem to be lost. The villains constantly plot the destruction ...
Seite xxvi
... common, Fletcher's Sea Voyage, performed many times between 1622 and 1692, bears the colonialist traces of its forbear. In the nineteenth century, representations of the “savage” Caliban suggested the play's colonialist possibilities ...
... common, Fletcher's Sea Voyage, performed many times between 1622 and 1692, bears the colonialist traces of its forbear. In the nineteenth century, representations of the “savage” Caliban suggested the play's colonialist possibilities ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true