The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiii
... devil” of the Patagonian giants of southern South America by Antonio Pigafetta in his account of Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in ...
... devil” of the Patagonian giants of southern South America by Antonio Pigafetta in his account of Ferdinand Magellan's early sixteenth-century circumnavigation of the globe, an English version of which Shakespeare could have seen in ...
Seite xv
... Devils and wicked Spirits.” “These Islands . . . have ever been accounted as an enchanted pile of rocks, and a desert ... devil regnant, as all the deities of the savages were in our forefathers' eyes. But Sycorax was dead, and Caliban ...
... Devils and wicked Spirits.” “These Islands . . . have ever been accounted as an enchanted pile of rocks, and a desert ... devil regnant, as all the deities of the savages were in our forefathers' eyes. But Sycorax was dead, and Caliban ...
Seite xxii
... devil and a witch.10 But Caliban's final words in the play suggest that Prospero's influence may at last be having some effect: “I'll be wise hereafter, / And seek for grace” (V.1.294–295). While it is clear that Shakespeare intends his ...
... devil and a witch.10 But Caliban's final words in the play suggest that Prospero's influence may at last be having some effect: “I'll be wise hereafter, / And seek for grace” (V.1.294–295). While it is clear that Shakespeare intends his ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true