The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xv
... eyes. But Sycorax was dead, and Caliban was (not quite successfully) domesticated, and Setebos and his accursed crew had been put to flight by Prospero's superior authority. Prospero's agents are the elements, which he governs by the ...
... eyes. But Sycorax was dead, and Caliban was (not quite successfully) domesticated, and Setebos and his accursed crew had been put to flight by Prospero's superior authority. Prospero's agents are the elements, which he governs by the ...
Seite xvii
... eye on at least two rival playwrights, Francis Beaumont and John Fletcher, who together wrote a number of successful plays on themes similar to those in the Romances. Later in his career, Shakespeare apparently collaborated with ...
... eye on at least two rival playwrights, Francis Beaumont and John Fletcher, who together wrote a number of successful plays on themes similar to those in the Romances. Later in his career, Shakespeare apparently collaborated with ...
Seite xxi
... eyes (Puck in the earlier play complements Ariel here), and the existence of such a reality is reinforced in Hamlet and Macbeth (with its witches no doubt distant relatives of Sycorax in our play). The links between As You Like It and ...
... eyes (Puck in the earlier play complements Ariel here), and the existence of such a reality is reinforced in Hamlet and Macbeth (with its witches no doubt distant relatives of Sycorax in our play). The links between As You Like It and ...
Seite xxiv
... eye toward performance at court. The prevailing theory, however, is that a play was first performed at the Globe and/or Blackfriars, and then, if it was successful, it moved on to Whitehall. But there is, as yet, no evidence to ...
... eye toward performance at court. The prevailing theory, however, is that a play was first performed at the Globe and/or Blackfriars, and then, if it was successful, it moved on to Whitehall. But there is, as yet, no evidence to ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true