The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xv
... human will. Thus The Tempest was romance to the Elizabethans, but it was not the romance of unreality—its events were not beyond the possibilities of human life. When Sir George Somers and his comrades landed on the still-vexed Bermudas ...
... human will. Thus The Tempest was romance to the Elizabethans, but it was not the romance of unreality—its events were not beyond the possibilities of human life. When Sir George Somers and his comrades landed on the still-vexed Bermudas ...
Seite xvi
... human; and Prospero replies: And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art? (V ...
... human; and Prospero replies: And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art? (V ...
Seite xvii
... human condition. One can almost imagine Shakespeare deciding to “lighten up,” as well as to “catch up,” since the Romances reflect Shakespeare's awareness of the competition, his desire to remain a popular playwright. Shakespeare would ...
... human condition. One can almost imagine Shakespeare deciding to “lighten up,” as well as to “catch up,” since the Romances reflect Shakespeare's awareness of the competition, his desire to remain a popular playwright. Shakespeare would ...
Seite xviii
... human events, but underlying the classical milieu is the Judeo-Christian ethos familiar to Shakespeare and his contemporaries. In The Winter's Tale, Polixenes can allude to the doctrine of original sin, confident that audiences will ...
... human events, but underlying the classical milieu is the Judeo-Christian ethos familiar to Shakespeare and his contemporaries. In The Winter's Tale, Polixenes can allude to the doctrine of original sin, confident that audiences will ...
Seite xx
... human need to understand the past and to move on from it. So, the play could be regarded as a kind of history play—or even as a memory play. Another theme in the play could be explored under the title “The Worlds of The Tempest ...
... human need to understand the past and to move on from it. So, the play could be regarded as a kind of history play—or even as a memory play. Another theme in the play could be explored under the title “The Worlds of The Tempest ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true