The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xvi
... kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art? (V.1.20–24) Sycorax too could control the elemental spirits—by her evil magic and for her damnable purposes; but Prospero turns their functions to ...
... kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art? (V.1.20–24) Sycorax too could control the elemental spirits—by her evil magic and for her damnable purposes; but Prospero turns their functions to ...
Seite xvii
... kind of limit in his exploration of the tragic genre, a play particularly bleak in its view of the human condition. One can almost imagine Shakespeare deciding to “lighten up,” as well as to “catch up,” since the Romances reflect ...
... kind of limit in his exploration of the tragic genre, a play particularly bleak in its view of the human condition. One can almost imagine Shakespeare deciding to “lighten up,” as well as to “catch up,” since the Romances reflect ...
Seite xx
... kind of history play—or even as a memory play. Another theme in the play could be explored under the title “The Worlds of The Tempest.” Critics have long noted that, in addition to the ideal commonwealth dreamt up by Gonzalo, Prospero's ...
... kind of history play—or even as a memory play. Another theme in the play could be explored under the title “The Worlds of The Tempest.” Critics have long noted that, in addition to the ideal commonwealth dreamt up by Gonzalo, Prospero's ...
Seite xxi
... kind of summarizing way, themes found throughout his work. Here too we can speak of this as a memory play. Usurpation, for example, especially of a brother by a brother, is prominent in As You Like It and Hamlet, as well as in King Lear ...
... kind of summarizing way, themes found throughout his work. Here too we can speak of this as a memory play. Usurpation, for example, especially of a brother by a brother, is prominent in As You Like It and Hamlet, as well as in King Lear ...
Seite xxiii
... kind of self-sacrificing love that triumphs over greed and selfishness. At the end, Gonzalo states perhaps the most important dimension of the play when he observes In one voyage Did Claribel her husband find at Tunis, And Ferdinand her ...
... kind of self-sacrificing love that triumphs over greed and selfishness. At the end, Gonzalo states perhaps the most important dimension of the play when he observes In one voyage Did Claribel her husband find at Tunis, And Ferdinand her ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true