The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiii
... looks like an anagram of Cannibal. For Gonzalo's ideal commonwealth (II.1.137 ff.) Shakespeare is indebted to John Florio's translation of. 2. The Bermuda publications speak of the role of Providence in saving the travelers from harm ...
... looks like an anagram of Cannibal. For Gonzalo's ideal commonwealth (II.1.137 ff.) Shakespeare is indebted to John Florio's translation of. 2. The Bermuda publications speak of the role of Providence in saving the travelers from harm ...
Seite xviii
... look forward to sharing complete narratives of each other's adventures. There is also, in all four Romances, a strong element of the pastoral genre, which Shakespeare had already explored in As You Like It and other earlier plays. In ...
... look forward to sharing complete narratives of each other's adventures. There is also, in all four Romances, a strong element of the pastoral genre, which Shakespeare had already explored in As You Like It and other earlier plays. In ...
Seite xxiii
... look forward to hearing the play's most famous lines: Trinculo's “Misery acquaints a man with strange bedfellows”; Prospero's “Our revels now are ended” and “We are such stuff / As dreams are made on”; and Miranda's “O brave new world ...
... look forward to hearing the play's most famous lines: Trinculo's “Misery acquaints a man with strange bedfellows”; Prospero's “Our revels now are ended” and “We are such stuff / As dreams are made on”; and Miranda's “O brave new world ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true