The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xiv
... magic as a chemist or an electrical engineer is to us moderns. His art is merely a method of controlling the forces of nature. It is white or natural magic— that is, esoteric science or theurgy—not black magic or witchcraft like the ...
... magic as a chemist or an electrical engineer is to us moderns. His art is merely a method of controlling the forces of nature. It is white or natural magic— that is, esoteric science or theurgy—not black magic or witchcraft like the ...
Seite xv
... magic. There were fiends in action when Prospero and his baby daughter were cast up on that strange shore, for “the foul witch Sycorax” had been its colonizer, under duress, and her son Caliban was a demi-devil, whose father was a fiend ...
... magic. There were fiends in action when Prospero and his baby daughter were cast up on that strange shore, for “the foul witch Sycorax” had been its colonizer, under duress, and her son Caliban was a demi-devil, whose father was a fiend ...
Seite xvi
... magic and for her damnable purposes; but Prospero turns their functions to virtuous ends, in his own rightful cause; to the establishment of justice and to the contrition of the offenders against himself and God. Ariel had rebelled ...
... magic and for her damnable purposes; but Prospero turns their functions to virtuous ends, in his own rightful cause; to the establishment of justice and to the contrition of the offenders against himself and God. Ariel had rebelled ...
Seite xvii
... magic, in which Prospero promises to “drown my book [of magic]” (V.1.33–57), is his creator's farewell to the stage. The Romances are melodrama, or tragicomedy, a form new to Shakespeare's art but very popular with contemporary ...
... magic, in which Prospero promises to “drown my book [of magic]” (V.1.33–57), is his creator's farewell to the stage. The Romances are melodrama, or tragicomedy, a form new to Shakespeare's art but very popular with contemporary ...
Seite xviii
... magic. But in the end, all confusions, misunderstandings, and threats have been eliminated, so that the good characters experience joyful reunions, while the young plan weddings and their elders look forward to sharing complete ...
... magic. But in the end, all confusions, misunderstandings, and threats have been eliminated, so that the good characters experience joyful reunions, while the young plan weddings and their elders look forward to sharing complete ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true