The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xix
... opening tempest also represents the past; after all, time (in Latin, tempus) is itself an important element in the ... opening moments of Virgil's Aeneid focus on that storm—probably an important inspiration for Shakespeare's opening ...
... opening tempest also represents the past; after all, time (in Latin, tempus) is itself an important element in the ... opening moments of Virgil's Aeneid focus on that storm—probably an important inspiration for Shakespeare's opening ...
Seite xx
... opening.3 We recognize Prospero's need to come fully awake from the nightmare. Although, as another twentieth-century fictional character claims, “we possess nothing certainly except the past,”4 The Tempest dramatizes the human need to ...
... opening.3 We recognize Prospero's need to come fully awake from the nightmare. Although, as another twentieth-century fictional character claims, “we possess nothing certainly except the past,”4 The Tempest dramatizes the human need to ...
Seite xxiii
... opening storm scene be handled? How will Caliban and Ariel be costumed? How will Prospero's magic be effected? And so on. Audiences look forward to hearing the play's most famous lines: Trinculo's “Misery acquaints a man with strange ...
... opening storm scene be handled? How will Caliban and Ariel be costumed? How will Prospero's magic be effected? And so on. Audiences look forward to hearing the play's most famous lines: Trinculo's “Misery acquaints a man with strange ...
Seite xxvi
... opening scene's ship, foundering in a storm, resembles a contemporary account of a shipwreck off the coast of Virginia. Along with only a mention of Bermuda, a plantation, an Indian, and an islander—Prospero and Caliban's contentious ...
... opening scene's ship, foundering in a storm, resembles a contemporary account of a shipwreck off the coast of Virginia. Along with only a mention of Bermuda, a plantation, an Indian, and an islander—Prospero and Caliban's contentious ...
Seite xxvii
... opening scene, for example, begins with the stage hands spreading large cloth sheets that, when shaken, become sea waves. An industrial steel curtain is raised, revealing a video-within-a-video of a threemasted ship buffeted by a storm ...
... opening scene, for example, begins with the stage hands spreading large cloth sheets that, when shaken, become sea waves. An industrial steel curtain is raised, revealing a video-within-a-video of a threemasted ship buffeted by a storm ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true