The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xxiv
... person of Hippolito, “right Heir of the Dukedom of Mantua.” The Duke his father had “bequeathed him” to Prospero's care, and the false Antonio had “exposed him to that fate he meant for” Prospero. The infant Hippolito's horoscope ...
... person of Hippolito, “right Heir of the Dukedom of Mantua.” The Duke his father had “bequeathed him” to Prospero's care, and the false Antonio had “exposed him to that fate he meant for” Prospero. The infant Hippolito's horoscope ...
Seite xxviii
... person rendition of Shakespeare's play comprises an eighty-minute performance played on a bare stage, except for four large rectangular blocks that are rearranged into variable raised platforms. The New York University/ The Continuum ...
... person rendition of Shakespeare's play comprises an eighty-minute performance played on a bare stage, except for four large rectangular blocks that are rearranged into variable raised platforms. The New York University/ The Continuum ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true