The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite viii
... play, an essay on reading the play as performance, and topics for discussion, with an annotated bibliography and filmography. Accomplished Shakespeare scholars have been commissioned to modernize each volume. The series focuses on ...
... play, an essay on reading the play as performance, and topics for discussion, with an annotated bibliography and filmography. Accomplished Shakespeare scholars have been commissioned to modernize each volume. The series focuses on ...
Seite xi
... play as it was acted. 1. Focus Editors' Note Kittredge's Introduction offers a perceptive and helpful overview of the play; some of the details about sources and the details about productions of the play have been cut in order to focus ...
... play as it was acted. 1. Focus Editors' Note Kittredge's Introduction offers a perceptive and helpful overview of the play; some of the details about sources and the details about productions of the play have been cut in order to focus ...
Seite xii
... play as it was acted at court in the winter. Some scholars believe that the masque in Act IV was written or enlarged expressly for that occasion; others conjecture that the masque, in whole or in part, is not Shakespeare's own work ...
... play as it was acted at court in the winter. Some scholars believe that the masque in Act IV was written or enlarged expressly for that occasion; others conjecture that the masque, in whole or in part, is not Shakespeare's own work ...
Seite xiv
... play and prefixes to this list “The Scene, an un-inhabited Island.” We may leave it at that. . . .3 Shakespeare's Prospero, to the Elizabethan audience, was as comprehensible in his feats of magic as a chemist or an electrical engineer ...
... play and prefixes to this list “The Scene, an un-inhabited Island.” We may leave it at that. . . .3 Shakespeare's Prospero, to the Elizabethan audience, was as comprehensible in his feats of magic as a chemist or an electrical engineer ...
Seite xvii
... play, Henry VIII, and on a version of Chaucer's “Knight's Tale,” The Two Noble Kinsmen. The Tempest is the last play Shakespeare wrote entirely on his own, which helps to explain the popular notion that Prospero is a self-portrait whose ...
... play, Henry VIII, and on a version of Chaucer's “Knight's Tale,” The Two Noble Kinsmen. The Tempest is the last play Shakespeare wrote entirely on his own, which helps to explain the popular notion that Prospero is a self-portrait whose ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true