The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xii
... plot has been discovered. . . . That Shakespeare owes something to narratives of Somers' adventures is certain. . . . Ever since July 18, 1605, when Captain George Weymouth returned from the coast of New England, bringing with him five ...
... plot has been discovered. . . . That Shakespeare owes something to narratives of Somers' adventures is certain. . . . Ever since July 18, 1605, when Captain George Weymouth returned from the coast of New England, bringing with him five ...
Seite xiii
... plot of The Tempest is original with Shakespeare in the only sense in which originality in such matters can be predicated of anybody. Setebos is several times mentioned as the “great devil” of the Patagonian giants of southern South ...
... plot of The Tempest is original with Shakespeare in the only sense in which originality in such matters can be predicated of anybody. Setebos is several times mentioned as the “great devil” of the Patagonian giants of southern South ...
Seite xvii
... plots on the Greek romances of classical times: the plots frequently offer harrowing twists and turns, with tragedy hovering ... plot the destruction of goodness and keep audiences on the edge of their seats with their nearly successful ...
... plots on the Greek romances of classical times: the plots frequently offer harrowing twists and turns, with tragedy hovering ... plot the destruction of goodness and keep audiences on the edge of their seats with their nearly successful ...
Seite xviii
... plot, and The Tempest could be entitled Prospero, because of his prominence in the plot, Shakespeare did not choose such titles. In The Winter's Tale, the themes of jealousy and trust dominate. The title surfaces at the start of Act II ...
... plot, and The Tempest could be entitled Prospero, because of his prominence in the plot, Shakespeare did not choose such titles. In The Winter's Tale, the themes of jealousy and trust dominate. The title surfaces at the start of Act II ...
Seite xx
... plot and, as Kittredge points out in his Introduction, one of Shakespeare's plays that pays strict attention to the so-called unity of time.6 Yet in the relatively confined time frame he allows himself, Shakespeare explores existential ...
... plot and, as Kittredge points out in his Introduction, one of Shakespeare's plays that pays strict attention to the so-called unity of time.6 Yet in the relatively confined time frame he allows himself, Shakespeare explores existential ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true