The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xviii
... present a pre-Christian world in which the classical gods and goddesses operate in human events, but underlying the classical milieu is the Judeo-Christian ethos familiar to Shakespeare and his contemporaries. In The Winter's Tale ...
... present a pre-Christian world in which the classical gods and goddesses operate in human events, but underlying the classical milieu is the Judeo-Christian ethos familiar to Shakespeare and his contemporaries. In The Winter's Tale ...
Seite xxii
... present yeere 1605. . . in the discovery of the land of Virginia. Not only does Rosier's account begin with a “battering storm followed by a providential land at 'five fathoms' (cf. Ariel's song at I.2.398),” but Rosier refers ...
... present yeere 1605. . . in the discovery of the land of Virginia. Not only does Rosier's account begin with a “battering storm followed by a providential land at 'five fathoms' (cf. Ariel's song at I.2.398),” but Rosier refers ...
Seite xxv
... present a faux-Roman scene—togated Juno, Ceres, and Iris, descending from the rafters, complemented by the “certain Nymphs” and “certain Reapers,” ornamenting the stage with their orderly xxv Introduction to the Focus Edition.
... present a faux-Roman scene—togated Juno, Ceres, and Iris, descending from the rafters, complemented by the “certain Nymphs” and “certain Reapers,” ornamenting the stage with their orderly xxv Introduction to the Focus Edition.
Seite xxxi
... presents in tableau-style twelve key moments in the play. The film opens with several tableaux of the events narrated by ... present in the sensational wedding pageant (masque). At least twenty mariners, dressed in navy whites and white ...
... presents in tableau-style twelve key moments in the play. The film opens with several tableaux of the events narrated by ... present in the sensational wedding pageant (masque). At least twenty mariners, dressed in navy whites and white ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true