The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... provides an excellent text with unusually elaborate stage directions, perhaps Shakespeare's own (see, for example ... provide bibliographical references have been dropped. Cuts from the text are indicated by ellipses (...), additions by ...
... provides an excellent text with unusually elaborate stage directions, perhaps Shakespeare's own (see, for example ... provide bibliographical references have been dropped. Cuts from the text are indicated by ellipses (...), additions by ...
Seite xv
... provides death as the penalty for “invocation or conjuration of evil spirits.” Dr. John Dee, famous occultist, ... was styled “the King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific ...
... provides death as the penalty for “invocation or conjuration of evil spirits.” Dr. John Dee, famous occultist, ... was styled “the King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific ...
Seite xix
... provides to “pay back” his persecutors, he also welcomes and promotes the relationship between Ferdinand and Miranda that offsets in its joy the sorrows of the past. The play is framed by the fearful tempest at the start and the ...
... provides to “pay back” his persecutors, he also welcomes and promotes the relationship between Ferdinand and Miranda that offsets in its joy the sorrows of the past. The play is framed by the fearful tempest at the start and the ...
Seite xx
... provides a verbal parallel to the visual and audio pyrotechnics of the opening.3 We recognize Prospero's need to come fully awake from the nightmare. Although, as another twentieth-century fictional character claims, “we possess nothing ...
... provides a verbal parallel to the visual and audio pyrotechnics of the opening.3 We recognize Prospero's need to come fully awake from the nightmare. Although, as another twentieth-century fictional character claims, “we possess nothing ...
Seite xxv
... provides directors with creative opportunities, so does the masque scene. Distinctly separate from the play world, this scene offers directors almost unlimited imaginative freedom. Taking their cue from the names of the goddesses, the ...
... provides directors with creative opportunities, so does the masque scene. Distinctly separate from the play world, this scene offers directors almost unlimited imaginative freedom. Taking their cue from the names of the goddesses, the ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true