The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... , Kittredge's language has been changed and details have been expanded to make them more accessible to twenty-first-century readers. 2. The Bermuda publications speak of the role of Providence xi Introduction to the Kittredge Edition.
... , Kittredge's language has been changed and details have been expanded to make them more accessible to twenty-first-century readers. 2. The Bermuda publications speak of the role of Providence xi Introduction to the Kittredge Edition.
Seite xiii
... speak of the role of Providence in saving the travelers from harm, and one of the pamphlets describes the shipwreck and subsequent happy departure from Bermuda as “this tragical comedy.” [Eds] 3. Kittredge's long paragraph on two ...
... speak of the role of Providence in saving the travelers from harm, and one of the pamphlets describes the shipwreck and subsequent happy departure from Bermuda as “this tragical comedy.” [Eds] 3. Kittredge's long paragraph on two ...
Seite xxi
... speak of this as a memory play. Usurpation, for example, especially of a brother by a brother, is prominent in As You Like It and Hamlet, as well as in King Lear and Macbeth, not to speak of the frequency of the theme in the history ...
... speak of this as a memory play. Usurpation, for example, especially of a brother by a brother, is prominent in As You Like It and Hamlet, as well as in King Lear and Macbeth, not to speak of the frequency of the theme in the history ...
Seite xxviii
... speaking by a simple change of a hat. And imagine Ferdinand doubling as Caliban and Sebastian. This three-person rendition of Shakespeare's play comprises an eighty-minute performance played on a bare stage, except for four large ...
... speaking by a simple change of a hat. And imagine Ferdinand doubling as Caliban and Sebastian. This three-person rendition of Shakespeare's play comprises an eighty-minute performance played on a bare stage, except for four large ...
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Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true