The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xv
... spirits.” Dr. John Dee, famous occultist, ... was styled “the King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific colleague. To Shakespeare and his audience, then, the banished Duke ...
... spirits.” Dr. John Dee, famous occultist, ... was styled “the King his Mathematician.” Dee would have given Prospero a cordial welcome as an irreproachable scientific colleague. To Shakespeare and his audience, then, the banished Duke ...
Seite xvi
... spirit of the pure air. Ariel is a rational being; the “meaner ministers”—whether of earth or air, of water or fire—are not rational beings, but mere blind forces. And neither Ariel nor his subordinates have a moral nature—any more than ...
... spirit of the pure air. Ariel is a rational being; the “meaner ministers”—whether of earth or air, of water or fire—are not rational beings, but mere blind forces. And neither Ariel nor his subordinates have a moral nature—any more than ...
Seite xx
... spirit world of Ariel; the half-human world of Caliban; the world (family, if you will) that Miranda and Ferdinand create; the world of the wedding masque; and the world of magic itself. Some have noted that Prospero's name suggests ...
... spirit world of Ariel; the half-human world of Caliban; the world (family, if you will) that Miranda and Ferdinand create; the world of the wedding masque; and the world of magic itself. Some have noted that Prospero's name suggests ...
Seite xxi
... spirit world that assumes the existence of a reality beyond that visible to human eyes (Puck in the earlier play complements Ariel here), and the existence of such a reality is reinforced in Hamlet and Macbeth (with its witches no doubt ...
... spirit world that assumes the existence of a reality beyond that visible to human eyes (Puck in the earlier play complements Ariel here), and the existence of such a reality is reinforced in Hamlet and Macbeth (with its witches no doubt ...
Seite 1
... spirit. Iris, Ceres, Juno, [presented by] spirits. Nymphs, Reapers, [Other Spirits attending on Prospero.] The Scene.—[On board a ship at sea; afterwards] an uninhabited island. Act I Scene 1. [On board a ship at sea.]† 1 The Tempest ...
... spirit. Iris, Ceres, Juno, [presented by] spirits. Nymphs, Reapers, [Other Spirits attending on Prospero.] The Scene.—[On board a ship at sea; afterwards] an uninhabited island. Act I Scene 1. [On board a ship at sea.]† 1 The Tempest ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true