The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xi
... storm, as well as for the description of Prospero's island, Shakespeare got suggestions from the Bermudan adventures and discoveries of Sir George Somers, no report of which reached England until September, 1610. The most probable date ...
... storm, as well as for the description of Prospero's island, Shakespeare got suggestions from the Bermudan adventures and discoveries of Sir George Somers, no report of which reached England until September, 1610. The most probable date ...
Seite xii
... storm scattered the fleet. It arrived at Jamestown in August, but the Sea Venture was missing. She had run ashore on the Bermudas on July 28, but without loss of life. Gates, Somers, and the rest—some hundred and fifty in all—remained ...
... storm scattered the fleet. It arrived at Jamestown in August, but the Sea Venture was missing. She had run ashore on the Bermudas on July 28, but without loss of life. Gates, Somers, and the rest—some hundred and fifty in all—remained ...
Seite xiii
... storm if they have “room enough.” They do not succeed, but by the help of Ariel the ship is not dashed to pieces upon the rocks, but makes her way into a “deep nook” or cove, where she rides in safety. Shakespeare's handling of the ...
... storm if they have “room enough.” They do not succeed, but by the help of Ariel the ship is not dashed to pieces upon the rocks, but makes her way into a “deep nook” or cove, where she rides in safety. Shakespeare's handling of the ...
Seite xix
... storm also represents the state of Prospero's mind after twelve years of exile and his determination to impress his ordeal upon the men on the ship, several of them directly responsible for these lost years. The motive of revenge ...
... storm also represents the state of Prospero's mind after twelve years of exile and his determination to impress his ordeal upon the men on the ship, several of them directly responsible for these lost years. The motive of revenge ...
Seite xxii
... storm followed by a providential land at 'five fathoms' (cf. Ariel's song at I.2.398),” but Rosier refers frequently to the “salvages” encountered on the voyage (Kinney 283). 10. A number of commentators point out that the many efforts ...
... storm followed by a providential land at 'five fathoms' (cf. Ariel's song at I.2.398),” but Rosier refers frequently to the “salvages” encountered on the voyage (Kinney 283). 10. A number of commentators point out that the many efforts ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true