The TempestHackett Publishing, 19.02.2019 - 144 Seiten George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. |
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Seite xviii
... suggest the Christian meaning of the word. The Tempest is not so ready with Judeo-Christian references, but Prospero speaks of “providence divine” (I.2.159) and Ferdinand refers to “immortal providence” (V.1.189), echoing language found ...
... suggest the Christian meaning of the word. The Tempest is not so ready with Judeo-Christian references, but Prospero speaks of “providence divine” (I.2.159) and Ferdinand refers to “immortal providence” (V.1.189), echoing language found ...
Seite xix
... Shakespeare's opening scene. 2. Stephen Dedalus, in James Joyce's 1922 novel Ulysses, yet another story of the quest for home. 3. Arthur Kinney suggests that Shakespeare is also thinking of xix Introduction to the Focus Edition.
... Shakespeare's opening scene. 2. Stephen Dedalus, in James Joyce's 1922 novel Ulysses, yet another story of the quest for home. 3. Arthur Kinney suggests that Shakespeare is also thinking of xix Introduction to the Focus Edition.
Seite xx
... suggests that he seeks to create a prosperous world on the island. The contrast between Gonzalo's fantasy of a perfect society and Prospero's own vision, in the wedding masque, of an ideal but hardly perfect world, suggests that ...
... suggests that he seeks to create a prosperous world on the island. The contrast between Gonzalo's fantasy of a perfect society and Prospero's own vision, in the wedding masque, of an ideal but hardly perfect world, suggests that ...
Seite xxii
... suggests that the wedding masque in the play is a version of the pastoral, earthly paradise ideal (IV.1.60ff.). Only somewhat later did the New World become a place that Europeans could exploit and control. Colonialism was only in its ...
... suggests that the wedding masque in the play is a version of the pastoral, earthly paradise ideal (IV.1.60ff.). Only somewhat later did the New World become a place that Europeans could exploit and control. Colonialism was only in its ...
Seite xxvi
... suggests that there may be a germ of truth in the colonialist interpretation, especially since it is thought that John Fletcher collaborated with Shakespeare on at least the play Henry VIII. Although, other than the first two acts, the ...
... suggests that there may be a germ of truth in the colonialist interpretation, especially since it is thought that John Fletcher collaborated with Shakespeare on at least the play Henry VIII. Although, other than the first two acts, the ...
Inhalt
1 | |
How to Read Shakespeares The Tempest as Performance | 89 |
The Tempest Timeline | 97 |
Questions for Discussion and Further Study | 99 |
Bibliography and Filmography | 103 |
Back Cover | 113 |
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Häufige Begriffe und Wortgruppen
action Alon Alonso Antonio Ariel audience bear become begins Bermuda brave bring brother Caliban characters common creatures daughter devil direction dost Duke effect elements Enter Exit eyes father feel Ferdinand figure Folio follow give Gonzalo grace hand hast hath head hear hour human I’ll island Italy John kind King light live look lord magic masque master means Milan mind Miranda monster Naples nature opening original performance person play play’s plot present production Pros Prospero provides reason refers scene Sebastian sense Shakespeare shape ship sleep speak speech spirit stage stand Stephano storm strange suggests Tale tell Tempest thee thine thing thou thought Trin Trinculo true