Characteristics of Women, Moral, Poetical, and Historical, Band 2;Band 70Saunders and Otley, 1858 |
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Seite 9
... portrait . For her , my lord , I dare my life lay down , and will do ' t , sir , Please you t ' accept it , that the queen is spotless I ' the eyes of heaven , and to you . Every inch of woman in the world , Ay , every dram of woman's ...
... portrait . For her , my lord , I dare my life lay down , and will do ' t , sir , Please you t ' accept it , that the queen is spotless I ' the eyes of heaven , and to you . Every inch of woman in the world , Ay , every dram of woman's ...
Seite 25
... , even while the individual charac- ter preserves the strongest hold upon our respect and admiration , forms an impressive lesson , as well as a natural and delightful portrait . In the scene , for instance , where she brings HERMIONE . 25.
... , even while the individual charac- ter preserves the strongest hold upon our respect and admiration , forms an impressive lesson , as well as a natural and delightful portrait . In the scene , for instance , where she brings HERMIONE . 25.
Seite 46
... portrait from common life , a masterpiece in the Flemish style : and though not necessary as a contrast , it cannot be but that the tho- rough vulgarity , the loose principles of this plebeian woman , united to a high degree of spirit ...
... portrait from common life , a masterpiece in the Flemish style : and though not necessary as a contrast , it cannot be but that the tho- rough vulgarity , the loose principles of this plebeian woman , united to a high degree of spirit ...
Seite 51
... portrait that can be compared to Imogen as a woman - none in which so great a variety of tints are mingled together into such perfect harmony . In her we have all the fervour of youthful tenderness , all the romance of youthful fancy ...
... portrait that can be compared to Imogen as a woman - none in which so great a variety of tints are mingled together into such perfect harmony . In her we have all the fervour of youthful tenderness , all the romance of youthful fancy ...
Seite 59
... portrait of Miranda is produced by resolving the female character into its original elements , so that of Imogen unites the greatest number of those quali- ties which we imagine to constitute excel- lence in woman . Imogen , like Juliet ...
... portrait of Miranda is produced by resolving the female character into its original elements , so that of Imogen unites the greatest number of those quali- ties which we imagine to constitute excel- lence in woman . Imogen , like Juliet ...
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Häufige Begriffe und Wortgruppen
admirable affection Anna Bullen Antigone Antony APOLLODORUS ARSINOE Arthur beauty Bretagne Cæsar character CHARMIAN CLEOPATRA colouring Constance Cordelia CORIOLANUS CRESSIDA CYMBELINE daughter death demona Desdemona despair dignity dramatic Duchess duchy of Bretagne Elinor eloquence eyes fancy father fear feeling female feminine fond gentle give grace grief hath heart heaven Henry Henry II Hermione heroine honour horror husband Iachimo Iago imagination Imogen intellect Juliet Katherine Katherine's king Lady Macbeth Lear Leontes lord madam manner Margaret Margaret of Anjou Medea MESSENGER mind mother murder nature never noble Octavia Othello passion pathos patra PAULINA PISANIO pity placed play poetical poetry Polynices Portia portrait Posthumus pr'ythee pride prince queen racter scene sense sentiment Shak Shakspeare Shakspeare's simplicity sisters sorrow soul speak spirit story sweet tears temper tenderness thee thing thou art tion tragedy true truth virtue VOLUMNIA whole wife Wolsey woman women words Zinevra
Beliebte Passagen
Seite 315 - Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, • Against the use of nature...
Seite 317 - Like the poor cat i' the adage? Macb. Prithee, peace I dare do all that may become a man; Who dares do more is none. Lady M. What beast was't then That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man.
Seite 228 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Seite 322 - Glamis thou art, and Cawdor, and shalt be What thou art promised : yet do I fear thy nature; \ It is too full o' the milk of human kindness To catch the nearest way...
Seite 155 - tis most certain, Iras. Saucy lictors Will catch at us, like strumpets ; and scald rhymers Ballad us out o' tune : the quick comedians Extemporally will stage us, and present Our Alexandrian revels : Antony Shall be brought drunken forth, and I shall see Some squeaking Cleopatra boy my greatness I
Seite 291 - Orpheus with his lute made trees. And the mountain-tops that freeze, Bow themselves, when he did sing : To his music, plants and flowers Ever sprung ; as sun and showers There had made a lasting spring.
Seite 218 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven : If that be true, I shall see my boy again...
Seite 99 - Unhappy that I am, I cannot heave My heart into my mouth : I love your majesty According to my bond ; nor more nor less.
Seite 93 - O my dear father ! Restoration, hang Thy medicine on my lips ; and let this kiss Repair those violent harms, that my two sisters Have in thy reverence made ! Kent.
Seite 104 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.