Essentials of Public Speaking: For Secondary SchoolsGinn, 1910 - 250 Seiten |
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Seite viii
... DEGREE 1. Subdued Degree 118 118 2. Moderate Degree 118 3. Energetic Degree 118 4. Vocal Culture in Degrees of Force . 127 131 SECTION III . STRESS 1. Radical Stress . 2. Final Stress . 3. Compound Stress 4. Median Stress . 132 134 135 ...
... DEGREE 1. Subdued Degree 118 118 2. Moderate Degree 118 3. Energetic Degree 118 4. Vocal Culture in Degrees of Force . 127 131 SECTION III . STRESS 1. Radical Stress . 2. Final Stress . 3. Compound Stress 4. Median Stress . 132 134 135 ...
Seite 41
... FORCE- ( Vital ) MAN Pectoral . Emotive .. Aspirate Effusive ... Form ( Emotive ) Expulsive --- . Emotive Mental Explosive __---- Vital Subdued Degree .. ( Vital ) Moderate . Vital Energetic- MAN Radical Compound Mental Stress ( Mental ) ...
... FORCE- ( Vital ) MAN Pectoral . Emotive .. Aspirate Effusive ... Form ( Emotive ) Expulsive --- . Emotive Mental Explosive __---- Vital Subdued Degree .. ( Vital ) Moderate . Vital Energetic- MAN Radical Compound Mental Stress ( Mental ) ...
Seite 107
... Degree , and ( 3 ) Stress , which correspond respectively - to the Emotive , Vital , and Mental natures , thus : Form Force Degree Stress . Emotive Vital Man Mental SECTION I. FORM Form is the manner of exerting Force FORCE 107 FORCE •
... Degree , and ( 3 ) Stress , which correspond respectively - to the Emotive , Vital , and Mental natures , thus : Form Force Degree Stress . Emotive Vital Man Mental SECTION I. FORM Form is the manner of exerting Force FORCE 107 FORCE •
Seite 118
... Force . There are three divisions of Degree , — ( 1 ) Subdued , ( 2 ) Mod- erate , and ( 3 ) Energetic , which may be further divided , each into three degrees as represented in the following diagram : Subdued Moderate Effusive Form ...
... Force . There are three divisions of Degree , — ( 1 ) Subdued , ( 2 ) Mod- erate , and ( 3 ) Energetic , which may be further divided , each into three degrees as represented in the following diagram : Subdued Moderate Effusive Form ...
Seite 119
... Degrees of Force . A weak - voiced person should not strain to the scale of a more vital speaker ; nor should the strong - voiced speaker fall into the habit of reducing his Force to a weak , timid utterance . ( 2 ) Acoustic conditions ...
... Degrees of Force . A weak - voiced person should not strain to the scale of a more vital speaker ; nor should the strong - voiced speaker fall into the habit of reducing his Force to a weak , timid utterance . ( 2 ) Acoustic conditions ...
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Häufige Begriffe und Wortgruppen
accent action audience Beat blood breath Brutus Cassius child consonants continuant sounds cried dead Degree of Pitch Degrees of Force Effusive Form elements elocution Emotive Emphasis exercise Explosive Form expression eyes face Falsetto following selection fool give given hand hath head heart Heaven Helon Illustrative Selection Inflection Inter-Parliamentary Union Intervals Julius Cæsar Lady Clare liberty Long Quantity Macb Macbeth Mary Melody Mental motley fool mouse Movement muscles musical scale Nasal nasal cavities nation notes of song notes of speech Oration Orotund Pauses Pharynx Phrases pipe organ Plane of Equality Position Position Right public speaking Quality resonance Ring scale Second Attitude SECTION Selection illustrating Semitone Sentences illustrating sentiment Shakespeare soft palate speaker star Stress student Subtonic syllables thee thou tion tone Trachea turned utterance Vital nature vocal culture vocal organs voice vowels wave WILLIAM SHAKESPEARE words
Beliebte Passagen
Seite 135 - Let it pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height.
Seite 223 - tis his will: Let but the commons hear this testament— Which, pardon me, I do not mean to read— And they would go and kiss dead Caesar's wounds And dip their napkins...
Seite 151 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers ; shall we now Contaminate our fingers with base bribes ? And sell the mighty space of our large honors, For so much trash, as may be grasped thus?
Seite 135 - And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding, which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot! Follow your spirit, and upon this charge Cry, "God for Harry! England and Saint George!
Seite 135 - Be copy now to men of grosser blood, And teach them how to war. And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture ; let us swear That you are worth your breeding ; which I doubt not ; For there is none of you so mean and base, That hath not noble lustre in your eyes.
Seite 39 - My grandmamma has said — Poor old lady, she is dead Long ago — That he had a Roman nose, And his cheek was like a rose In the snow...
Seite 36 - Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
Seite 133 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Seite 223 - But yesterday the word of Caesar might Have stood against the world : now lies he there, And none so poor to do him reverence.
Seite 178 - The waves were dead ; the tides were in their grave, The moon their mistress had expired before ; The winds were wither'd in the stagnant air, And the clouds perish'd ; Darkness had no need Of aid from them — She was the universe.