The Complete Works of William Shakespeare: With Historical and Analytical Prefaces, Comments, Critical and Explanatory Notes, Glossaries, and a Life of Shakespeare, Band 4
J. A. Hill, 1901
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action appears bear better Bianca bring Camillo cause character comes daughter dead death doubt effect Enter Exeunt Exit eyes fair father fear Folios follow Ghost give grace Hamlet hand hast hath head hear heart heaven hence Hermione hold honour Horatio husband Induct Italy Kate Kath keep kind King lady Laertes leave Leon Leontes live look lord Lucentio marry master mean mind mother nature never night once Ophelia pass perhaps Petruchio play Polonius pray present probably Quartos Queen reason Scene seems sense Serv servant Shakespeare soul speak speech stand stay sweet tell thee thing thou thought true turn wife
Seite 92 - What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have/ He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
Seite 57 - Neither a borrower, nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.
Seite 103 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Seite 157 - Caesar dead and turn'd to clay, Might stop a hole to keep the wind away : O, that that earth, which kept the world in awe, Should patch a wall to expel the winter's flaw ! But soft!
Seite 61 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Seite 102 - O, reform it altogether. And let those that play your clowns speak no more than is set down for them: for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered: that's villainous, and shows a most pitiful ambition in the fool that uses it.
Seite 93 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Seite 157 - ... abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. — Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chop-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. — Prithee, Horatio, tell me one thing. HOR. What's that, my lord?...
Seite 91 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her...