Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Seite 72
... Peter Roberts in Plays and Players ( October 1963 ) were particularly well managed . He went into battle ' distraught and dis- pirited'233 groaning inside his outsize helmet and reeling about the stage . " " A horse , A horse ! " was ...
... Peter Roberts in Plays and Players ( October 1963 ) were particularly well managed . He went into battle ' distraught and dis- pirited'233 groaning inside his outsize helmet and reeling about the stage . " " A horse , A horse ! " was ...
Seite 157
... Peter Hall's production young York grabbed his brother and pulled him back ( promptbook ) . 147 Hazlitt took this moment as an example of how far Edmund Kean's performance had degenerated since his visit to Ireland in 1814 : ' The ...
... Peter Hall's production young York grabbed his brother and pulled him back ( promptbook ) . 147 Hazlitt took this moment as an example of how far Edmund Kean's performance had degenerated since his visit to Ireland in 1814 : ' The ...
Seite 167
... Peter Hall's production had the same great iron council table which had been used throughout the series and which , to Peter Roberts writing in Plays and Players ( October 1963 ) , was one of the things that had ' acquired a strange ...
... Peter Hall's production had the same great iron council table which had been used throughout the series and which , to Peter Roberts writing in Plays and Players ( October 1963 ) , was one of the things that had ' acquired a strange ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young