Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Seite 11
... actors were unwilling , or did not know how to go through the motions . Neither did the play invite outright experiment . Leopold Jessner in Berlin ( 1920 ) could daringly dispense with gothic arches and heraldry and dress his ...
... actors were unwilling , or did not know how to go through the motions . Neither did the play invite outright experiment . Leopold Jessner in Berlin ( 1920 ) could daringly dispense with gothic arches and heraldry and dress his ...
Seite 24
... actors so much as a three - dimensional picture hung in the background . It was a pleasure in itself , a decoration to the play , not an attempt at illusion . It consisted of sets of matching wings and shutters , which were drawn on and ...
... actors so much as a three - dimensional picture hung in the background . It was a pleasure in itself , a decoration to the play , not an attempt at illusion . It consisted of sets of matching wings and shutters , which were drawn on and ...
Seite 55
... actors in certain well - known moments of a play : two Hamlets in the closet scene , two Richards in the tent scene . 180 As we have seen , the managements at Covent Garden and Drury Lane would run actor against actor . One management ...
... actors in certain well - known moments of a play : two Hamlets in the closet scene , two Richards in the tent scene . 180 As we have seen , the managements at Covent Garden and Drury Lane would run actor against actor . One management ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young