Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Seite 21
... followed in 1602 , 1605 , 1612 and 1622 . Then came the Folio collection in 1623 , followed by still more quartos in 1629 and 1634. Even if its rhetoric seemed old - fashioned and stiff , Richard himself , more supple and colloquial ...
... followed in 1602 , 1605 , 1612 and 1622 . Then came the Folio collection in 1623 , followed by still more quartos in 1629 and 1634. Even if its rhetoric seemed old - fashioned and stiff , Richard himself , more supple and colloquial ...
Seite 187
... followed Garrick's new business here , and the tradition has survived into productions of Shakespeare . Irving avoided it , but Benson returned to it , adding a shout ' King ! ' as he hurled his book into the air ( Crosse , p . 13 ) ...
... followed Garrick's new business here , and the tradition has survived into productions of Shakespeare . Irving avoided it , but Benson returned to it , adding a shout ' King ! ' as he hurled his book into the air ( Crosse , p . 13 ) ...
Seite 249
... followed in other productions of the period . Charles Kean gave his New York audiences a tableau of " The Field of Battle after the Action " with a graphic view of the carnage and devastation caused by the conflict ' followed by a ...
... followed in other productions of the period . Charles Kean gave his New York audiences a tableau of " The Field of Battle after the Action " with a graphic view of the carnage and devastation caused by the conflict ' followed by a ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young