Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Seite 11
... play invite outright experiment . Leopold Jessner in Berlin ( 1920 ) could daringly dispense with gothic arches and heraldry and dress his characters in historically incorrect symbolic colours , disposing them up and down on a huge ...
... play invite outright experiment . Leopold Jessner in Berlin ( 1920 ) could daringly dispense with gothic arches and heraldry and dress his characters in historically incorrect symbolic colours , disposing them up and down on a huge ...
Seite 27
... play the part , and when he came to do it himself he ' imagined [ he ] knew how Sandford would have spoken every line of it ' . Vanbrugh agreed ( though most did not ) that he had ' his very Look , Gesture , Gait , Speech , and every ...
... play the part , and when he came to do it himself he ' imagined [ he ] knew how Sandford would have spoken every line of it ' . Vanbrugh agreed ( though most did not ) that he had ' his very Look , Gesture , Gait , Speech , and every ...
Seite 70
... play of its frivolous . reputation . But as there was no strong sense in these productions of the sort of world that might make their grey Richards ' normal ' , the critics only felt what they had lost . To The Times ( 25 March 1953 ) ...
... play of its frivolous . reputation . But as there was no strong sense in these productions of the sort of world that might make their grey Richards ' normal ' , the critics only felt what they had lost . To The Times ( 25 March 1953 ) ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young