Richard IIIJunction Books, 1981 - 266 Seiten "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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... production , just as the text of a film is the film itself , and not the scriptwriter's dialogue . Furthermore , just as at any particular time Richard III or The Alchemist has been whatever version was then best known in the theatre ...
... production , just as the text of a film is the film itself , and not the scriptwriter's dialogue . Furthermore , just as at any particular time Richard III or The Alchemist has been whatever version was then best known in the theatre ...
Seite 59
... production is the amount of space given to aspects of the play other than the characterization of the hero . Phelps himself , though he was speaking different lines , made no radical alteration to Richard . He was a good workmanlike ...
... production is the amount of space given to aspects of the play other than the characterization of the hero . Phelps himself , though he was speaking different lines , made no radical alteration to Richard . He was a good workmanlike ...
Seite 87
... production , now in the Enthoven Collection ) . When Shakespeare was restored it was usual to open the play on a street in London . Irving ' represented the end of a streets street , a corner - gable casting a shadow , a sundial in the ...
... production , now in the Enthoven Collection ) . When Shakespeare was restored it was usual to open the play on a street in London . Irving ' represented the end of a streets street , a corner - gable casting a shadow , a sundial in the ...
Inhalt
Preface by Jeremy Treglown | 1 |
Introduction | 9 |
Richard III | 85 |
Urheberrecht | |
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acting actors arms audience Audrey Williamson blood Boaden Booth BRAKENBURY brother Buckingham Catesby century Charles Kean Cibber cut Cibber's version CITIZEN Clarence Colley Cibber Cooke crown curse dead death Dorset doth dream Drury Lane DUCHESS OF YORK Duke Edmund Kean Edwin Booth Elizabethan Enter Richard Exeunt Exit eyes fear Garrick Genest Gentleman ghosts give Gloucester grace Hackett hath Hazlitt head heart heaven Henry Henry VI horse Ian Holm Ibid Irving Irving's John Wood Kean's Kemble KING RICHARD Lady Anne lines live London look Lord Hastings Macready madam Mayor MESSENGER mother night noble Norfolk Olivier performance Peter Hall's production Phelps PRINCE EDWARD promptbook QUEEN ELIZABETH QUEEN MARGARET quoted Ratcliffe restored reviewer Richard III Richmond Rivers royal scene SECOND MURDERER Shakespeare Shakespearian Shaw soliloquy soul speech Sprague sword tell tent Terry Hands Theatre theatrical thee thou thought throne Tower Tyrrel unto villain voice William Wolfit words young